Toronto International Film Festival introduces surge pricing for tickets.
Big assumptions were immediately tested — visitors are great at spotting where a problem has already been solved (e.g. “well I’d just read the labels!?”), where they would expect this problem to be solved (“why would this be on my phone and not the map?”) or identifying where the value of what you’re offering is worth less than the effort of using it (“I probably wouldn’t want to get my phone out for that”).From a Frankly Green + Webb write up of running rapid design sprints at England's National Gallery.
I frequently try to explain - mostly to myself, sometimes to other people - why I think the web industry's philosophy on sharing information and insight is different to that of most Western businesses. Marco Arment's latest post on working through business models for Overcast exemplifies this.
L.A. museums embrace live streaming - and it's not even silly.
Sarah Hopkinson of Auckland dealer gallery Hopkinson Mossman on The Spinoff's Business is Boring podcast.
MOMA is putting thousands of exhibition records (exhibition views, catalogues, exhibition checklists) online.